It's night and it's cold out. Three of us are on the porch, around a table -- wrapped up in layers of cloth and leather, shared clothing, smoking cigarettes one after another. On the table are empty cans of Busch, an overflowing ashtray, and around our legs occasionally huddle unsociable cats (come to enjoy our warmth). Brian has just gotten off the phone after a long conversation and sits down to begin the interview.
JORDAN MCLAUGHLIN (Interviewer). Hi; what's your name?
BRIAN YODER (Interviewee). Brian Yoder.
JORDAN. And how old are you?
BRIAN. I'm twenty-four.
JORDAN. And where are you from?
BRIAN. I'm from Sarasota.
JORDAN. Ok, cool. Um, Brian – if you had one million dollars, what would you do with the money and why?
BRIAN. First and foremost, I would take all of my friends out for dinner at the most expensive restaurant I could find, and we'd all get completely wasted, and I'd call a cab for everyone. And then I would buy seven slip 'n slides, and I would put them all together, and we would find a way to get going faster than our legs would carry us and slide across it. And after that, I'd buy a bunch of recording equipment and start recording my friends and making ...
OBSERVER 1. You're out of money, man.
BRIAN. ... making albums for them. No, I'm good. Slip and slides are really cheap.
OBSERVER 1. Yeah, but you have a lot of friends.
(laughter)
JORDAN. Alright. If there was a way for you to no longer require sleep, would you give it up?
BRIAN. As tempting as the offer is, no. I feel like dreams offer you a perspective on your psyche that you would not get anywhere else in the world, like no matter how introspective you attempt to be, no matter what kind of drugs you take, nothing can substitute what the subconscious mind pulls out in dreams and the kind of effort and introspection it takes to make any kind of sense of them.
JORDAN. But, don't you think you'd have like a lot more free time to get the things done that you want to get done?
BRIAN. Yeah but I don't – I don't know if the things you want to get done are necessarily the most important things. I don't know that. They could be, but I don't know that. And the more you learn about yourself, the more the things you want to get done change.
JORDAN. Mhm. (clears throat). Tell me about the last time you fell in love.
BRIAN. Um. It was kind of ridiculous, because it was one of those situations that, uh, – that you don't think is ever possible or real. The kind of things that you'd laugh at movies for. Like literally the moment I saw this person, I felt something in my gut that I couldn't get rid of, and the more I got to know her the more it was just solidified that that feeling was justified in every way. And after a week we were living together and three years later, things started to fall apart. But, um, but it was the best three years of my life, hands down.
JORDAN. What was the best time you ever had with her? (car alarm goes off)
BRIAN. When I gave her her birthday present the first year we met, something she'd wished she'd had since she was five years old – a kiddie pool full of pudding. Took eighteen gallons of milk. I don't remember how many packets of Jell-O pudding. But we had strawberry, chocolate, and vanilla, and we put cardboard dividers in the kiddie pool, and then pulled them out, so that we had a thirty-three point three three repeating ratio of flavors.
(laughter)
JORDAN. Okay. What made it fall apart?
BRIAN. (pauses) Um, me. Basically an existential crisis I didn't know how to deal with. It didn't really actually have anything to do with her – she was just kind of an innocent bystander. And I became an addict.
JORDAN. What happened while you were an addict?
BRIAN. Lots of really really bad things.
JORDAN. What was one of them?
BRIAN. Credit card debt.
JORDAN. (laughs) Alright. I would imagine that would happen.
JORDAN. Do you really hate anybody?
BRIAN. No. I wish that I could. I honest to God wish that I were capable of that. But I feel like the way I was built as a human being, the way I am, the way I was born – no matter how much I've tried, no matter how many experiences have told me I should feel otherwise, I always can understand why someone in whatever situation they're in, in any given situation, are acting the way that they are, and generally know that in the same situation I would – I would probably act the same way or do the same thing, or something at least similar.
JORDAN. Yeah. Alright, what about the last time you were betrayed?
BRIAN. The last – the only – seriously, the only time I can think of any time near to now that I've been betrayed it was honestly just by myself convincing myself that someone was a better person than they were when I probably knew otherwise the whole time and just wished for the best. And so it's a matter of, really, me betraying my own better judgment. And while I still dislike this person very much, I know that it's my fault that I have to dislike them, because otherwise I never would have gotten to know them enough to be in that position.
JORDAN. But do you still have hard feelings for this person – I mean, do you still communicate?
BRIAN. I still communicate on the level that they're capable of communicating on, but – hard feelings? Maybe.
JORDAN. Well, how do you know them? How do you know this person?
BRIAN. Almost completely randomly. Met them through a friend who randomly met them. Him, and another friend of ours who – um – is a completely different story but – basically it's a simultaneous feeling of feeling bad for him because he's so materialistic and so insecure, and at the same time hating him because I believe that he actually is more and could be more if he chose to be and refuses to. But at the same time, wrestling with feelings of guilt because I shouldn't feel that way towards this person because if they knew better and could choose otherwise they probably would, even if it's harder, they just don't know better, and so I feel guilty if I hate them .Which comes back to your other question.
JORDAN. Right. Okay, we can move on. Uh...
BRIAN. That's good.
JORDAN. Have you ever had a really bad boss?
BRIAN. I have one right now.
JORDAN. Alright, what's she like?
BRIAN. Anorexic. Actually, bulimic. She weighs about ninety pounds. She claims to be OCD, but in fact she's not, she doesn't notice a lot of things. It depends what mood she's in as to whether or not she'll notice something out of place. Which means she's basically just got control issues and she takes them out on everyone else. She'll praise you if she's in a good mood. She'll find something to hate you for if she's not. And she really does nothing constructive at all for anyone that I've noticed. And I pay close attention because I've tried desperately to find some good in this person, and as far as I can tell they've given up on life completely except for their job, which is managing a store, a franchise, at that, that they feel is like is the only – it's basically equivalent to a mother having a child, except that it has no life of its own, the only life that it has is the life she allows it to have, because a child would be something she couldn't control, and she'd probably kill it.
JORDAN. But do you think that – I mean, if you're using the parent example, I mean, do you think that she does a good job of keeping the store afloat? I mean, does she, is she, strictly in the boss role, strictly in the role that she has to play to keep her employees working and efficient, do you think she does a good job that way?
BRIAN. I've only been there two months now, but I will say that the week she was away, at a conference, our sales were time and a half any other record for our store. When one of our other managers, who rules out of love rather than fear – love and empathy, rather than fear – was in charge, our sales were time and a half the record for the store in its history. I'll say that.
JORDAN. So, if you had a choice between the people in your store to be your boss, you probably wouldn't pick this woman?
BRIAN. I would pick this woman to be in psychiatric care and rehabilitation for an eating disorder.
JORDAN. Okay.
BRIAN. Because her life is actually in danger.
JORDAN. Alright. So, tell me what your parents were like. Your dad and your mom.
BRIAN. (exhales) My father had four sisters and six brothers and they were Amish until my father was ten years old, practicing Amish, and then they converted to Christianity. My father didn't get a hug from his father until he was forty years old. He's not the best at displaying emotions. Never was when I was growing up. But he also worked fourteen hours a day so that my mother and I could eat, and my mother took care of me, and we were always very close. We reacted to one another – we communicated through yelling because that's how she communicated to her parents. My father is almost the exact opposite, but he was never around. I was always kind of starved for that attention.
BRIAN. As the years progressed – they got divorced, probably twelve years ago, and they've both been increasingly happier and happier ever since, and as have I. So like I honestly see through that experience that sometimes two people just should not be together. I mean, I'm glad I'm alive, I'm glad they had sex and, you know, spat me out of their womb – but at the same time it's interesting to see that the typical family idea can go completely awry and have everything work out better than it originally did. I'm closer to both of them than I've ever been before. Both of them have grown more as human beings than anyone else I've ever known in my life since they got divorced, since I've been old enough to gauge that kind of thing and understand it. My father remarried almost two years ago and he's incredibly happy, they're perfect for one another. My mother is still alone and she needs to be because basically because she understands what she wants and she hasn't found that yet. They're both basically doing the best things for them and they're both trying to do the best things for me, and they're very supportive, they're very loving. They don't talk much but they're very peaceable and they're very cooperative when it comes to me.
JORDAN. So, when did you move out?
OBSERVER 1. She was satisfied that one night I spent with her.
BRIAN. I'd say eighteen. It was when I got a car, I had my license when I was seventeen, I got a car when I was eighteen. I moved up to Tallahassee, I moved in with a friend in a bedroom. I lived in a bedroom with my friend, until – that's when I met, the last time I fell in love, and after a week of knowing her I lived with her.
JORDAN. Would you like to respond to OBSERVER 1's comment that the last night, she had a really good time?
BRIAN. I would like to say that I feel it's kind of disrespectful, because this is obviously a project you're working on. However, I did flick my cigarette at him and tried to hit him in the eye out of my peripheral vision. I missed. However, my mom is pretty and I've been used to my friends making jokes about having gratuitous sex with her for years.
JORDAN. Okay. Good, good.
BRIAN. So I'm not really phased, but I feel like that the flaming cigarette butt – I feel like we're okay now.
OBSERVER 1. That's because you don't know it's true. (garbled)
JORDAN. Okay. Given the choice of any job in the world you think you could do, what would you choose?
BRIAN. Oh, Christ. Can I pick five?
JORDAN. You can pick as many as you want.
BRIAN. I'd like to be essentially a talent scout slash music producer. I know when I see someone who's got like not only the drive but the belief in themselves and the will to succeed and the disregard for criticism, like that they don't – you know, like being open to criticism but still being like a brick wall against that that's not constructive, or against that of their original vision. I feel I can recognize that and I'd really like to be able to go out and do something for those people, because I feel like they get ignored in spite of people who present themselves as if they have all those characteristics right off the bat, which is a lot of times not true, I feel. I'd also, like if I can pick anything, I'd probably like unlimited budget kind of thing. I'd like to make movies. I'd like to make movies because I love them so much and I have a lot of ideas that I'd like to see, not even for anyone else, but like that I would like to make happen so that I could watch them.
JORDAN. Do you do music or film?
BRIAN. I do music. And I do film in my head.
OBSERVER 2. Can I ask a question?
JORDAN. Sure.
OBSERVER 2. I'd like to ask if you would consider, if you were to become a successful filmmaker, would you consider making a movie based off a video game that was true to the original intent of the video game?
JORDAN. The question is, “Would, if Brian were a filmmaker, would he consider making an adaptation of a video game that were true to the original spirit of the video game?”
BRIAN. Absolutely. However, it would probably hands-down have to be Metroid.
JORDAN. Why Metroid?
BRIAN. To have the woman go through the whole process of being bio-genetically altered, to be fitted to a suit of armor that she will never be able to take off, that's grafted to her skin, and knowing that she is the only hope for her race, and for life on the planet.
OBSERVER 2. Would you want her name be Samus?
BRIAN. Her name is Samus. You cannot argue or dispute that in any way whatsoever. But, to have the emotional trauma involved. Like, that's why I was always into video games as a child – it's because I would imagine in my head. It was kind of like, for me, what other kids read books for or watch movies for. I played video games and I would imagine what the character was going through emotionally and on an internal level and I would identify with them. But it was all mostly based on my own imagination. Which is why, actually, video game adaptations would be kind of a dream come true.
JORDAN. So, what's your favorite video game?
BRIAN. Jesus Christ.
JORDAN. You can list two or three if you want.
BRIAN. Any given Metroid, obviously. Any given Mario-in-the-title video game that isn't some bullshit like tennis or Dr. Mario – Dr. Mario is great, don't get me wrong – but like Mario Brothers, Mario World, Mario 64, Mario Sunshine, Mario Galaxy, any of those. I feel like – I feel like even though I wasn't as close to this video game, I do understand why Doom should be in there. And it's not just to please OBSERVER 2 who's sitting right here, but it should definitely be in there. And then – okay, probably no one's ever heard of it, it was for Sega Genesis and Sega Genesis only – Subterranea, just because it was more fun to play than any game I've ever played, and more difficult.
JORDAN. Okay. What do you think the meaning is that those games have for you? Let's just go with the last one.
BRIAN. Subterranea?
JORDAN. Yeah.
BRIAN. That one, it was so ridiculously hard I've never gotten past level six to this day and I still own the game. And I still play it. Well, actually, a friend of mine has it now and I don't know where he is because he moved away. But up until a year ago, I played it adamantly. And it was so difficult and it was very unique. Gravity was a factor, but so was space and direction and fuel, and you were in a little spaceship, and there was a lot of strategy involved, but at the same time, every time you got to the next level, you felt like there was absolutely no possible way you could beat it. Like it was absolutely, they specifically designed it to make you go completely insane. And if you figured it out, you had this boost of belief in yourself to tackle to the next level that was unprecedented, because it was so difficult. But there was a way to beat it.
BRIAN. I'm sorry, I have to interject and add to the last question, every Zelda game ever made, as well.
JORDAN. Alright, alright.
OBSERVER 1. What do you think it says about your character that you say that you still own the game even though a friend has it who's moved away and you don't know where this friend is?
BRIAN. Because he's a good enough friend that I trust him to return the game.
OBSERVER 1. Do you think it's still in his possession?
BRIAN. Yes.
JORDAN. Okay.
OBSERVER 1. Noble.
JORDAN. Have you ever had to quit something you really cared about?
BRIAN. Other than heroin?
JORDAN. No, that counts.
BRIAN. Okay.
JORDAN. I mean, did you care about that, or was that just sort of an addiction?
BRIAN. Well, I did, but well, I mean – whether or not it's a matter of chemicals in your brain, you still care about it. You still really care. Yeah. The only more difficult thing I've ever had to do was lose the last time I fell in love person. And that was the result of the other, so they're intertwined, but those are the two most difficult things.
JORDAN. Alright. Um ...
BRIAN. I would say smoking, but I'm smoking right now.
(laughter)
JORDAN. When was the last time you did something that you think was wrong?
BRIAN. See, therein lies a problem. I feel like I've probably done enough hallucinogens that morality is something that's only relevant if I really care about someone, and in that case it's only subscribing to their morals ...
JORDAN. Okay. Let's just say it's something that you, personally, think is wrong.
BRIAN. Hm.
JORDAN. From your subjective standpoint. And we're talking about something you did anyway, so.
BRIAN. I drank all of my room mate's beer the other day and instead of buying him the same kind of beer, I bought an eighteen-pack of Busch because it was ten dollars.
OBSERVER 1. You also drank the vast majority of it.
BRIAN. I only drank five. And there's still plenty left right now.
OBSERVER 1. There's four left. There was eighteen in the pack.
BRIAN. This is my seventh. We're not going to argue this on the interview.
OBSERVER 1. Actually, it's your eighth, because there was six gone when he got here.
BRIAN. Okay.
JORDAN. Why did you do it?
BRIAN. (laughs)
JORDAN. Why did you do it?
BRIAN. Because I was talking to the last person I ever fell in love with tonight.
OBSERVER 1. And that made it okay to steal from someone else ...
BRIAN. You know, how do you manage to tie all these questions together so unintentionally?
JORDAN. (laughs) Well, who says it's unintentional?
Observer 3 exits house.
OBSERVER 3. May I move this?
JORDAN. Alright. We're conducting an interview.
JORDAN. Have you ever been badly wounded or sick?
BRIAN. Hm. Oh!
JORDAN. Alright, what happened?
BRIAN. I smoked a lot of cigarettes in the winter, and I got bronchitis, and I could barely get to the bathroom without stopping halfway to breathe, to gasp for air.
BRIAN. And the other time, I was driving my car home – totally sober, mind you – in Ohio, in twenty degrees and it was raining, and I hit a patch of ice and I was only going forty miles an hour and I slid in between a telephone pole and the railing to a bridge, and hit a sycamore tree. And the seatbelt broke my collar bone and I sprained my ankle, fractured my ankle. The seatbelt and airbag saved my life, but I definitely couldn't work or move for a month and a half.
JORDAN. How'd you get through it?
BRIAN. Um. Vicodin.
JORDAN. (laughs) That would be a good way.
OBSERVER 1. Did you develop an addiction to that?
BRIAN. No. No, it wasn't strong enough, I didn't care. It just made the pain go away; it was basically like taking really strong Ibuprofen.
JORDAN. Aside from anatomy, do you think men and women are essentially different?
BRIAN. Absolutely.
JORDAN. How?
BRIAN. Vaginas and penises and boobs.
JORDAN. Well, no, aside from anatomy.
BRIAN. Vaginas and – oh! Well – there can be men and women that are very much more similar to the opposite sex than you would expect, like – there can be men and women that are exactly, should be men or women, not in the sense of wanting to be the other but in the sense of their method of thinking, their way of going about their thought processes and value systems. But I think that as a species – and mind you, if you post this anywhere and people at New College listen to it, I hope no one will come to my door with stakes and burning things.
JORDAN. I doubt anybody's going to listen to this.
BRIAN. Okay, good.
OBSERVER 1. (garbled)
BRIAN. But – the evolution of the human race has brought us to a point where women are more domestic and men are naturally more aggressive, and thus more apt to be hunters. And like, as animals that's what we are. I feel like we're approaching a place in our evolution where that can be overlooked and that can be ascended, and I think that's a beautiful thing – that we're to the point where now we can choose what we want to be, regardless of our genetic predisposition. And I think that's amazing. I think that we're an incredible species and the fact that we know enough that we're able to rise above that, and no matter what has to happen for that to happen, even if it's turbulent, even if it's ugly right now, even if there's identity crisises associated with that – um, crisises? Crises. – associated with that, like, it's okay because it's for the greater good of us evolving as a species and socially.
JORDAN. So you'd say there's something – there's a difference between natural and what's good?
BRIAN. I believe what's good is what's natural. I believe what's natural is trying to catch up with what's good. What's good determines what's natural because whatever's natural will eventually succumb to what's good. And by good I mean in the best interest of the species and of the planet and of everything else that's alive.
JORDAN. Speaking of identity crises, what do you like about being a man?
BRIAN. Not having to menstruate. For sure.
JORDAN. If you could change your gender, would you?
BRIAN. I've thought about that a lot, actually. There are times when I think yes. I'd like to feel sexy sometimes; I don't. I feel very utilitarian most of the time. I don't feel like a man can be sexy, but I feel like that's probably because I'm a man. If I were a woman, I might feel the exact same way; I don't know.
JORDAN. Alright. So if you feel that a man can't be sexy, what do you feel about homosexuality, personally or in general?
BRIAN. In general, I feel like “Fine.” I feel like that there are many different cases and many different reasons that homosexuality occurs, and I do not claim to know any of them, and I do not claim to be an authority on the subject. But I feel like no matter what, you should respect your fellow man and their decisions. If you see a reason otherwise, then fine, but it should not be because of the homosexuality, or their political views, or their religious views, or – you know, it should be because of a personal instance that lets you know that you should not respect that person and what it is that they're doing or believe. It should have nothing to do with the belief itself, but the reason thereof, or therein.
JORDAN. Would you consider yourself on the left or the right, politically?
BRIAN. I consider myself dead center, or like six miles underground. I feel like politically, this word that carries a connotation that I'm not prepared to deal with, because I feel like, in my cynical view, when it comes down to it money controls everything. Above money comes power. Power, obviously, does control money. If the Federal Reserve is not an institution of the United States, then, and is above the law, then there's something greater than country that is controlling money. Money obviously controls politics, controls who is placed in power. And I don't feel like I have enough information; I don't feel like the media or the people that are trying to become our leaders ever will – will ever – give enough information for me for me to feel comfortable saying one way or the other, ever, in any instance.
JORDAN. So would you say that, if you don't consider yourself on the left or the right, politically you care about the issue of money affecting elections? I mean, you don't – do you think that it's a good or a bad thing that money controls elections, or?
BRIAN. I think it's a natural process of us as a species, as the human race, that we're constantly trying to exceed our limitations and constantly trying to succeed, and finding out that money controls everything – like, realizing this, realizing you can control people, through belief, through money, through religion (those beliefs, those are really the main two things). And if it came down to it, which it hasn't yet but it might eventually: food and water, like; capitalism is kind of the nature of nature. To be the biggest, to the best, to be the most powerful, is kind of what all of nature tries to do to succeed and that's kind of how it perpetuates itself. And I feel like this is a natural process; I just feel like there's some moral part of me that might be completely unnatural that disagrees with it, and doesn't like it, and feels like there is some other alternative that we just haven't figured out how to make practical yet. And that could be a completely ridiculous, idealistic point of view that can never take fruition, but it's how I feel naturally, and I can't deny that. I can't explain it as being rational or real or hopeful for such. It's just that's how I feel on the inside and that's my gooey, marshmallowy center.
JORDAN. OBSERVER 2?
OBSERVER 2. Will you agree with the Wu Tang Clan when they proclaim, “Cash rules everything around me?”
JORDAN. Okay, OBSERVER 2 asks, “Will Brian agree with the Wu Tang Clan that “cash controls everything around me?”
OBSERVER 2. Rules. Rules.
JORDAN. “Rules everything around me.” Sorry.
BRIAN. Um, I would say not. In a very literal sense, right now when he said that, I'm looking around me. I see a bunch of plants here on my porch, and I know that if it stops raining they will die, or if I stop watering them. But I know that cash doesn't control the rain.
OBSERVER 1. Are you sure? (laughs)
BRIAN. I'm pretty sure. I'm pretty sure. I'm not positive, but I'm pretty sure that cash doesn't control the rain yet. A lot of things, sure. And not even necessarily cash because of the willingness of people to subscribe to ideas.
JORDAN. Alright! That concludes my interview with Brian Yoder. Thank you, Brian.
BRIAN. Yep. No problem.
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